Spring of 1961, a photograph of a gunfight with Tic Rich at left by barrels and right barrels is Harry Valentine. Man lying in middle of street is Herbert Cowboy Coward.

Overview:

During a Western-themed town fair in South Carolina, a scheduled mock shootout using blank guns ended abruptly when one of the performers was seriously injured. For two out-of-state vendors watching nearby, the incident exposed a stark cultural gap in how firearm safety—especially regarding blanks—is understood across different regions of the country. What some considered “common knowledge” was completely unknown to others, raising broader questions about assumptions, safety, and public awareness.

Note to Readers: The following story is based on a real event experienced by the author. While written in narrative form, the incident and reactions described are factual.

We were out of state, down in South Carolina, working a book booth at a town fair that felt like it had been lifted straight out of an old Western film set.

For four days, it was business as usual—selling books, talking with passersby, watching families wander between replica saloons and storefronts designed to look like a frontier town frozen in time. Wooden boardwalks. False-front buildings. That dusty, staged Wild West aesthetic that looks harmless enough when you’re walking through it in the daytime.

Friday night was different.

As the fair wound down, the town closed off sections of the grounds for a scheduled reenactment. A mock shootout. Two men dressed in Old West gear faced off in the street, pistols holstered, crowd gathered close.

Fred and I were sitting beside a woman selling pickles. We’d each bought a jar and were casually eating them, talking quietly, when the sound cracked through the air.

Bang. Bang.

We froze and looked at each other.

We’re from Connecticut—where firearms are rare sights, tightly regulated, and definitely not discharged in public spaces, even theatrically. We had no idea the pistols were firing blanks, let alone that they’d be that loud, that sharp, that real.

Then everything shifted.

One of the men dropped to the ground. Not as part of the act. He was crying. There was blood. The performance stopped cold. An ambulance pushed through the crowd, medics moving fast. He was placed on a stretcher, loaded into the ambulance, and driven away.

Around us, the reaction was… casual.

A woman nearby laughed and said, “Everyone knows you don’t stand too close to a blank gun.”

Another chimed in, still smiling. “Yeah, you gotta keep at least twenty feet. Everyone knows that. Blanks can still hurt you.”

Fred and I looked at each other again—this time stunned for a different reason.

We didn’t know that.

Not even remotely.

To us, a “blank” sounded harmless. Empty. Safe. The idea that it could injure someone standing nearby had never crossed our minds. Yet to the locals around us, it was common knowledge—so obvious it was laughable.

That disconnect lingered longer than the sirens.

What struck us wasn’t just the accident—it was how differently risk, firearms, and public safety are understood depending on where you’re from. In one part of the country, gun safety is theoretical and distant. In another, it’s practical, assumed, and learned the hard way.

That night, sitting on a wooden bench in a fake Western town, eating pickles beside a stunned silence and scattered laughter, it became clear how culture isn’t just about food, accents, or traditions—it’s about what people consider “obvious,” and what others never had reason to learn at all.

Sometimes, the loudest culture shock comes from a sound you didn’t expect to hear—and didn’t know how dangerous it could be.

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